top of page

Untitled blog post from "Land art project"

  • Writer: Jonathan Moss
    Jonathan Moss
  • Dec 6, 2008
  • 2 min read

Day 8 Nearly seven trenches dug and filled: I’m getting there! Despite the repetitive nature of my task, it is certainly satisfying to watch the piece grow at such a rate. In contrast, it is quite alarming to watch the heap of earthen chunks that are being dislodged grow ever larger. I have been thinking during the week about the possibilities for this turf. I have considered leaving it where it stands as part of the work, to show evidence of what has happened, although I dont think this is really necessary. Perhaps it should be arranged into a new formation, to reflect the sense of ongoing process that is here in the work. The excess from one task becomes the object of the second, and so on. Jonathan shows me a great book about Mario Giaccomelli, an Italian photographer who documented rural life in Puglia and other regions of Italy. He created a series of black and white photographs of ploughed fields, taken from above. Some of these he has intervened with himself and created swirling scours in the land, others are as he found them. The linear markings in these fields are similar to those I am making here. I wonder how they wil compare in some months time. The highlight of today has to be the extraordinary sight of what I think is a sparrowhawk swoop down and snatch a small bird from the air just yards from my face. I hear the rapid beating of wings and look up just in time to witness the catch. A triumphant screech, and the magnificent bird is off into the hills. Fantastic. At the end of the day I have a wander across the meadow at the back of the chalet to enjoy a moody (and chilly) sunset. After talking with Helen, Jonathan and Sam, another artist who works in this part of the world, it is encouraging to see that it is possible to work successfully as an artist and live in a rural, relatively isolated community, a combination that I had never imagined to be very realistic. My hopes of getting away from the city certainly seem more achieveable than they did ten days ago. Rona Smith

 
 
 

Recent Posts

See All
Developing work in video

Since 2006, I have incorporated video as a fundamental element in my artistic practice, they fuel my paintings and prints. To me, responding to video is akin to responding to nature – it’s

 
 
 
Working in a studio collective

Developing my work in isolation is, well, isolating. It is great to be back at the art collective in my home town, AHH, Art Happens Here. When I lived in the Pyrenees my studio was in a large barn joi

 
 
 
The struggle of painting

Making good art is not only a struggle, but a bloody nightmare. I agree with Damien Hirst on this one: “Making art, good art, is always a struggle. It can make you happy when you pull it off. Th

 
 
 

Comments


© 2024, Jonathan Moss. Powered and secured by Wix

bottom of page