top of page

Untitled blog post from "macro & micro"

  • Writer: Jonathan Moss
    Jonathan Moss
  • Mar 7, 2012
  • 2 min read

Collaborations can emerge from the strangest of places. A fellow guitarist who initially I knew only through guitar forums turns out to be a bonafide composer of contemporary 'sounds' - studied composition at Dartington where his tutorials were extraordinary: "the uncomfortable silence when I played my latest DADGAD musings on my guitar to my composition lecturer who specialised in concertos for wardrobes and carbon-fibre fishing rods... "lounge music" was all he said after about 5 minutes of waiting..."

Just by chance Michael mentioned that he has been working on a conceptual piece. For a guitarist quite well-known on the international 'folk' circuit (albeit, 'new folk', i.e. contemporary, cutting edge, but within the confines of the heritage of a six string instrument) I was quite surprised at this. At first I thought it was a joke... then as we exchanged emails it became clear that he has another existence as a creator of 'little sounds' as I call them.

He offered to make some music for my videos - I don't have anything on the go at the moment as I'm painting, but mentioned one video, in fact my first, that I recently resurrected and uploaded to Vimeo just last month.

'Dot to Dash' is a simple video of the moon, shot in negative with a slow shutter speed; it takes on a life of its own - insect-like, crawling over the surface of the picture plane (video frame?). The addition of atmospheric audio creates a completely new dimension.

I'm really grateful to Michael and now we're eager to develop the idea... just got to wait for a full moon - well that's tomorrow, better charge the camera!

 
 
 

Recent Posts

See All
Developing work in video

Since 2006, I have incorporated video as a fundamental element in my artistic practice, they fuel my paintings and prints. To me, responding to video is akin to responding to nature – it’s

 
 
 
Working in a studio collective

Developing my work in isolation is, well, isolating. It is great to be back at the art collective in my home town, AHH, Art Happens Here. When I lived in the Pyrenees my studio was in a large barn joi

 
 
 
The struggle of painting

Making good art is not only a struggle, but a bloody nightmare. I agree with Damien Hirst on this one: “Making art, good art, is always a struggle. It can make you happy when you pull it off. Th

 
 
 

Comments


© 2024, Jonathan Moss. Powered and secured by Wix

bottom of page